Friday, 27 June 2008

Kool Moe Dee

Kool Moe Dee   
Artist: Kool Moe Dee

   Genre(s): 
Rap: Hip-Hop
   



Discography:


Knowledge Is King   
 Knowledge Is King

   Year: 1989   
Tracks: 10


I'm Kool Moe Dee   
 I'm Kool Moe Dee

   Year: 1986   
Tracks: 9




A member of unmatched of the original hip-hop crews, Treacherous Three, Kool Moe Dee later became a solo ace in his possess right in 1986 by teaming with a teenaged Teddy Riley (later famous as the king of novel laborer swing) on the crossing over hit "Go See the Doctor." The single earned him a sign with Jive Records, for which he recorded three successful late-'80s albums, dominated by his practiced speed-raps. A long-running feud with LL Cool J -- wHO stole his aggressive stance and rapping style, he claims -- gained Kool Moe Dee headlines for for a while, but he began to fade by the other '90s.


Born Mohandas Dewese in 1963, Dee was an early dispatch at local block parties, acting with senior high school buddies L.A. Sunshine and Special K plus DJ Easy Lee as Treacherous Three. Introduced to longtime producer Bobby Robinson (Gladys Knight, the Orioles) by Spoonie Gee, Treacherous Three debuted on mount in 1980 with "The New Rap Language," released on Robinson's Enjoy Records. "Body Rock" and "Feel the Heartbeat" followed during 1980-1981 before Robinson sold the group's sign up to Sugar Hill Records. Treacherous Three recorded various singles for Sugar Hill, only stony-broke up by the mid-'80s.


Rather of mounting aboard the solo wagon later the dissolution, Kool Moe Dee enrolled in college. After earning a communication theory degree from SUNY, he enlisted an unknown producer for his solo debut, "Go See the Doctor." The 17-year-old Teddy Riley more than vindicated himself, though, and the single became an underground rack up. By 1986, Kool Moe Dee was sign to Jive Records, and his self-titled debut album appeared that same year.


With 1987's How Ya Like Me Now, Dee smitten back at the nervy young multiplication wHO had forsaken their forebears; the breed featured a redness Kangol hat -- the large hallmark of LL Cool J -- being humbled by the rack of a Jeep. The album went pt and was followed two days by and by by the gold-certified Knowledge Is King, for which Dee became the first doorknocker to do at the Grammy Awards ceremonies. Also in 1989, Dee worked on iI of import projects: the single "Suicide," recorded in conjunction with KRS-One's Stop the Violence Movement; and Quincy Jones' all-star Back on the Block LP, which united rap music stars with their musical forebears.


Kool Moe Dee's fourth album, Funke Funke Wisdom was a number of a dashing hopes when compared to his sooner successes, and Jive/RCA dropped him subsequently releasing his Superlative Hits software in 1993. Hardly washed up, though, Dee recorded a Treacherous 3 reunion album in 1993 and signed to DJ Easy Lee's label for the 1994 album Interlude. The deed wasn't quite prophetic, however, it organism his lowest album.





Sandy Nelson

Sunday, 22 June 2008

Azaghal

Azaghal   
Artist: Azaghal

   Genre(s): 
Metal: Death,Black
   Rock
   



Discography:


Of Beasts and Vultures   
 Of Beasts and Vultures

   Year: 2002   
Tracks: 12


Ihmisviha   
 Ihmisviha

   Year: 2001   
Tracks: 4


Helwettildinen   
 Helwettildinen

   Year: 2001   
Tracks: 2


Beheaded Lamb - Split Cd   
 Beheaded Lamb - Split Cd

   Year: 2001   
Tracks: 9


Deathkult Mmdclxvi   
 Deathkult Mmdclxvi

   Year: 2000   
Tracks: 10


The Nine Circles Of Hell   
 The Nine Circles Of Hell

   Year: 1999   
Tracks: 9


Kristinushko Liekeissa   
 Kristinushko Liekeissa

   Year: 1999   
Tracks: 8


Helvetin Yhdeksdn Piirid (The   
 Helvetin Yhdeksdn Piirid (The

   Year: 1999   
Tracks: 9




 






Sunday, 15 June 2008

Various Artists, Every Mouth Must Be Fed

Pressure Sounds' previous reissue, Joe Higgs' triumphant Life Of Contradiction, was always going to be a hard act to follow. But, having piqued our interest in Higgs and his tour de force, they've now, shrewdly, turned their attention to the label that released it, Micron Music. Based at 14 Retirement Road, Kingston JA, this underrated outfit used a variety of studios and producers - including Bunny Lee, Lee Perry and co-owner Pete Weston, who has the lion's share of credits here - yet maintained a consistent sound, fusing the bouncy, carefree rhythms of early 70s reggae with forward-looking elements like King Tubby's mixes and Rastafarian lyrics.

At once both pragmatic and sensitive to their fan base, Pressure Sounds have omitted all but the more obscure vocal sides, favouring the deejay cuts and dubs. So we only hear Cornell Campbell's Wherever I Lay My Hat, Stars and Keep On Running as the respective backing to I Roy's toasts for Mad Mad Hatter and the title track, and his stylistic progenitor U Roy's patter on The Right To Live. Also missing is the brooding Satta Dread by Wayne Jarrett, whose sweet voice is heard via Jah Stitch's Conference At Waterhouse and its flip.

Of the vocals that do feature the strongest are Studio 1 rarity Our Rights by The Defenders, a beguiling blend of happy-go-lucky music and pan-African sentiment, and Junior Byles' take on Ain't Too Proud To Beg, which isn’t quite equal to Pat Kelly's later cut for Bunny Lee, yet still boasts some very nice horns. The Father Of Reggae, Higgs himself, gives a Rasta appraisal of the Harder They Come-style 'take what's mine' ethos during The Wages Of Crime, which suffers slightly from background hiss. Fortunately the drum-and-bass-heavy King Tubby's dub does not.

Unlike the genre-crossing Life Of Contradiction, Every Mouth Must Be Fed is aimed more at the serious reggae historian, who may well buy it for Our Rights and its version alone. It mightn't be the most high-impact Pressure Sounds album, but it's a rewarding collection of foundational roots, pitch-perfect in mood for its summer release.


See Also

Tuesday, 3 June 2008

Winehouse refused visa for Grammys

Amy Winehouse will not be performing at this year's Grammy Awards because her request for a visa has been turned down by the US Embassy in London, according to her publicist.
The Outside Organization, which counts the troubled retro-soul singer among its clients, said in a statement: "Amy has been progressing well since entering a rehabilitation clinic two weeks ago and although disappointed with the decision has accepted the ruling and will be concentrating on her recovery."
The 24-year-old singer and her acclaimed 'Back to Black' album are nominated in six categories for the Grammy Awards in Los Angeles on Sunday.
Organisers of the music awards are now arranging for the singer to perform via satellite.
Since the album's US release last year, she has cancelled a slew of appearances amid reports of drug use.